February ended up dedicated to the querying/synposing/revising/sending/crossing fingers for the YA nov. Truth be told, it was a fun ride. And there's more to be done.
In terms of new material, though, I'm stepping back to the screenplay. That old chestnut. We've made it to Act III and now the two men are in the same room, and one has murder on his mind.
I write it one line at a time, very carefully.
I know that I can go back and take out all of the stupid stuff, revise the heck out of it, make it shine. I don't have to get it right on the first try. But I want to. As close as I can. The words might change, but I want the tone and the tension to be just right.
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Read: Kayak Morning, Roger Rosenblatt
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